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　　適逢2014北京設(shè)計(jì)周期間，一向喜歡在跨界之中發(fā)現(xiàn)藝術(shù)新可能的天安時(shí)間當(dāng)代藝術(shù)中心，又在他們位于南鑼鼓巷的空間推出了一個(gè)跨界展覽“城南計(jì)劃——前門東區(qū)2014”的新聞發(fā)布會(huì)。展覽由天安時(shí)間當(dāng)代藝術(shù)中心創(chuàng)始人翁菱擔(dān)任藝術(shù)總監(jiān)，都市實(shí)踐、家琨建筑設(shè)計(jì)事務(wù)所、如恩設(shè)計(jì)研究室、MAD、MVRDV、隈研吾建筑都市設(shè)計(jì)事務(wù)所、沈偉舞蹈藝術(shù)舞團(tuán)、K/R、有方、北京市建筑設(shè)計(jì)研究院藝術(shù)中心參展。發(fā)布會(huì)上，幾位建筑設(shè)計(jì)和城市規(guī)劃專家及社會(huì)學(xué)家，包括北京市建筑設(shè)計(jì)研究院藝術(shù)中心朱小地，著名哲學(xué)家/社會(huì)學(xué)家陳嘉印，家琨建筑設(shè)計(jì)事務(wù)所劉家琨，都市實(shí)踐王輝等嘉賓相繼討論了他們對(duì)于舊城改造的認(rèn)識(shí)、設(shè)想和期待。

　　前門也稱正陽門，位居明清北京城內(nèi)城九門之首。前門外，則成為老北京建筑文化、商賈文化、梨園文化、會(huì)館文化、民俗文化疊加的匯集之地，歷經(jīng)了600年的風(fēng)雨滄桑，寄托了無數(shù)人的情愫與夢(mèng)想。近年來，以前門大街、鮮魚口街為代表的前門西區(qū)進(jìn)行了大量修繕和更新，看到了舊城重生的決心和力度。而向東與之相鄰的前門東區(qū)卻成為都市核心的衰落區(qū)域，其殘舊的街巷院落與周邊現(xiàn)代化的城區(qū)景觀形成了劇烈反差。

　　路往何處去？多年來，這一問題始終牽動(dòng)著關(guān)注北京舊城變遷的各界人士。如何以最小的代價(jià)換取區(qū)域的復(fù)興?如何最大限度地保護(hù)舊城的民生和文脈?如何平衡經(jīng)濟(jì)發(fā)展與環(huán)境需求?面對(duì)這一系列問題，可供借鑒的是在外遷開發(fā)模式外，南鑼鼓巷、798和大柵欄已呈現(xiàn)出來的新方向，而東城與崇文合并，大東城行政區(qū)劃帶來的經(jīng)濟(jì)和資源更強(qiáng)有力的整合，使得探討這一區(qū)域全新的舊城改造計(jì)劃成為可能。

　　秉持舊城有機(jī)更新與復(fù)興的理想，北京天街集團(tuán)、北京市建筑設(shè)計(jì)研究院、天安時(shí)間當(dāng)代藝術(shù)中心聯(lián)合向國內(nèi)外多家知名建筑規(guī)劃機(jī)構(gòu)、各相關(guān)領(lǐng)域?qū)＜覍W(xué)者和意見領(lǐng)袖發(fā)出邀請(qǐng)，組成陣容強(qiáng)大、涵蓋廣泛的跨專業(yè)、跨學(xué)科城市問題聯(lián)盟，由著名綜合藝術(shù)策劃人翁菱出任藝術(shù)總監(jiān)，力求通過對(duì)全球化大背景下城市問題演變趨勢(shì)與應(yīng)對(duì)城市問題新方法、新途徑的探索，讓北京這座城市的歷史與未來，光榮與期待，在此相聚。

　　參與此次聯(lián)盟的有專注城市規(guī)劃、建筑設(shè)計(jì)和景觀設(shè)計(jì)，成果涵蓋建筑、規(guī)劃、出版物及裝置物的建筑事務(wù)所MVRDV；關(guān)注當(dāng)代建筑設(shè)計(jì)趨勢(shì)及全球問題，以深切洞悉博物館歷史著稱的建筑師、建筑策展人Terence Riley；建筑作品散發(fā)日式和風(fēng)與東方禪意，以自然景觀的融合為特色，“負(fù)建筑”、“隈研吾流”創(chuàng)始者隈研吾；注重最大可能地滿足人的需求，不追求形式上的新奇怪異，而是創(chuàng)造未來的MAD建筑事務(wù)所創(chuàng)始人馬巖松；將個(gè)性思想納入理性設(shè)計(jì)中，追求激發(fā)觀眾在空間中動(dòng)態(tài)的心理體驗(yàn)的北京建筑設(shè)計(jì)院院長朱小地；從“藝術(shù)家工作室”開始出手，擅長以小型文化空間完成對(duì)環(huán)境的把握和并獲得解決問題的創(chuàng)造力的建筑師劉家琨；致力于從城市視角和城市體驗(yàn)中解讀建筑內(nèi)涵，以研究城市問題為基礎(chǔ)致力于建筑學(xué)領(lǐng)域探索的機(jī)構(gòu)都市實(shí)踐；立足于中國上海，以全球化的觀念結(jié)合多元、重疊的設(shè)計(jì)理念，創(chuàng)造多元化建筑的如恩設(shè)計(jì)研究室；以極具開創(chuàng)性的跨文化和跨媒介創(chuàng)作發(fā)展出“自然身體發(fā)展”獨(dú)特技術(shù)體系的編舞家、視覺藝術(shù)家和導(dǎo)演沈偉；以及一直致力于推動(dòng)中國建筑文化發(fā)展，及其與世界建筑文化交流的有方空間文化發(fā)展機(jī)構(gòu)。

　　此次由專家牽頭的跨界活動(dòng)將致力于以學(xué)術(shù)層面的研究討論，全新探尋城市的功能和空間演進(jìn)、舊城改造與民生保障、歷史文脈的保護(hù)與傳承等幾大綜合性問題。基于總體規(guī)劃的展覽和論壇為本次計(jì)劃的核心，所有參與者在統(tǒng)一任務(wù)書的指導(dǎo)下，用模型、視頻、訪談、空間作品、舞蹈等多種形式，集人文、藝術(shù)、科學(xué)的思考為一體，對(duì)各方觀點(diǎn)進(jìn)行豐富、鮮明地對(duì)話與呈現(xiàn)。主辦方高度贊賞國內(nèi)外跨界知識(shí)精英和專家學(xué)者對(duì)此次計(jì)劃的全情參與，并深信他們以各自專業(yè)精神呈現(xiàn)的思考與方案，是真正參與到解決現(xiàn)實(shí)問題中來的寶貴實(shí)踐，也是為全社會(huì)獻(xiàn)上的精彩智慧財(cái)富。我們亦誠邀社會(huì)各界人士的參與，集思廣益，共同探索舊城改造與復(fù)興的理想之路。

　　開幕：2014年10月28日

　　展期：2014年10月29日-11月28日

　　地點(diǎn)：北京市平安大街玉河1號(hào)天安時(shí)間當(dāng)代藝術(shù)中心

　　藝術(shù)總監(jiān)：翁菱

　　主辦：北京天街集團(tuán)、天安時(shí)間當(dāng)代藝術(shù)中心、北京市建筑設(shè)計(jì)研究院

　　參展方及參展主題：

　　1. BIAD ART CENTER 北京市建筑設(shè)計(jì)研究院藝術(shù)中心——“民有化”——北京舊城文化復(fù)興的起點(diǎn)

　　2 JIAKUN ARCHITECTS 家琨建筑設(shè)計(jì)事務(wù)所——前門鮮魚口地塊城市演進(jìn)

　　3 KKAA—— 城市再生方案

　　4 K/R ——北京前門鮮魚口項(xiàng)目

　　5 MVRDV—— 胡同4.0版 北京鮮魚口胡同升級(jí)再生

　　6 POSITION 有方——逆向空間梳理：由鮮魚口到正東坊

　　7 MAD ——前門東區(qū)舊城保護(hù)與發(fā)展概念規(guī)劃

　　8 NERI & HU 如恩設(shè)計(jì)研究室——GROUND x 3

　　9 URBANUS 都市實(shí)踐——中國盒子：北京城南小院子里的當(dāng)代生活

　　CHENG NAN PROJECT – QIANMEN EAST AREA 2014

　　Opening: 28th-10-2014

　　Duration: 29th-10-2014 to 28th-11

　　Location: No.1 Jade River, Ping An Ave., Dongcheng Dist., Beijing, China

　　Participates: BIAD ART CENTER(Zhu Xiaodi)、JIAKUN ARCHITECTS(Liu Jiakun)、KKAA(Kengo Kuma)、K/R(John Keenen、Terence Riley)、MAD(Ma Yansong、

　　Dang Qun、Yosuke Hayano)、MVRDV(Winy Maas、Jacob van Rijs、Nathalie de Vries)、POSITION(Shi Jian、Zhu Tao)、SHEN WEI DANCE ARTS(Shen Wei)、URBANUS(Wang Hui、Liu Xiaodu、Meng Yan)

　　Artistic Director: Weng Ling

　　Host: Tian Jie Group, Beijing Center for the Arts, Beijing Institute of Architectural Design

　　The old town of Beijing composes of the inner and outer city, the outer city is known as Nan Cheng. Established during the Ming dynasty, this area was once known as “Zheng Dong” square, now Qianmen East Area or Xian Yu Kou. The area was the financial centre of the city in the Qing Dynasty, responsible for river logistics and counter flood measures. It includes “Chang Xiang” (1-5 lanes) and “Cao Chang” (1-10 lanes) hutongs, mostly running from north to south and uncharacteristically curved and winding compared to conventional hutongs. The structure of this area reflects how it came to be, developing around the river system and rich with history and culture.

　　Recently the revival of the Dashilar district received widespread attention and entered the Venice Biennale. However, the Xian Yu Kou area directly opposing the Dashilar is gradually degenerating, becoming irrelevant and decadent. The old and decaying streets and infrastructure creates a stark contrast to its rapidly developing neighbours.

　　The question of future development has been an ongoing question for years: how to revive an old area with minimal damage and preserve the architecture, the people residing within, and heritage? How to balance between economic development and environmental protection? We can look upon past projects such as Nan Luo Gu Xiang, 798 and Dashilar to point us in the right direction. As Dongcheng and Chongwen districts merge, the bigger Dongcheng district provides more land resources and financial strength, making the discussion of sustainable future development a relevant and important one.

　　With a dream of organic and sustainable urban development and city refurbishment, Beijing Tianjie Group, Beijing Center for the Arts (BCA) and Beijing Institute of Architectural Design (BIAD) unite forces and convene domestic and international specialists and experts in various fields to create an alliance panel from a wide range of professions. Led by renowned contemporary art curator and senior event organiser Ms. Weng Ling, seeking to explore new solutions to resolve issues of urban development in the age of rapid change and globalisation. Let Beijing’s past with the future, glory and anticipation all converge here.

　　Led by our panel of experts, this project aims to discuss contemporary issues from an academic perspective: a city’s change in space and functionality, refurbishment and inhabitant’s livelihood preservation, history and heritage site protection. The project will be conveyed through a large exhibition and discussion forums, using models, videos, interviews, installation projects and dance performances, bringing in culture, art, science, architecture and social considerations into one conversation. Believing in the contribution and different perspectives that each participant can make, this project embarks on a journey of exploration and realisation of a shared dream to contribute and improve our society and infrastructure, to revive past prosperity in a sustainable manner.