知停而行，感悟美好

　　生活有很多東西，比一直追趕更重要——圣雄甘地

　　There are many things in life that are more important than chasing.

　　- Mahatma Gandhi

　　江南煙雨、太湖碧波，孕育著無(wú)錫的過往與現(xiàn)在，設(shè)計(jì)的整體概念就始于對(duì)無(wú)錫的印象。畢路德精心提煉當(dāng)?shù)貍鹘y(tǒng)的人文符號(hào)、民間材質(zhì)、中國(guó)色彩等，將之轉(zhuǎn)變?yōu)樵O(shè)計(jì)手段及元素，構(gòu)筑了一個(gè)富含東方美學(xué)的場(chǎng)景，平和內(nèi)斂、樸質(zhì)風(fēng)雅，傳統(tǒng)中透著現(xiàn)代氣息，現(xiàn)代中糅合古典之韻。

　　Misty rain of Jiangnan and blue waves of Taihu breed Wuxi since the ancient to the modern times. The overall concept of design began with the impression of Wuxi. BLVD carefully refines local traditional cultural symbols, folk materials and Chinese colors, transforms them into design methods and elements, and builds a scene full of oriental aesthetics. Calm and introverted, simple and elegant, the design adds modern elements into tradition, and its modern tempo mixes with Chinese classical rhyme.

　　酒店大堂氣勢(shì)宏偉、素凈雅致，充分體現(xiàn)親近自然的精神。整體色彩及材質(zhì)沉穩(wěn)厚重，盡顯安定、和諧之感。通過不同高度的尺度關(guān)系，豐富空間的層次感，由放至收，由動(dòng)至靜，讓賓客慢慢遠(yuǎn)離城市喧囂，進(jìn)入寧?kù)o自然的“家”。設(shè)計(jì)師因勢(shì)而宜，借助無(wú)錫當(dāng)?shù)氐赜虻奈幕?hào)，在大堂酒廊上空營(yíng)造了一個(gè)大型的“太湖石”藝術(shù)裝置，不經(jīng)意間為空間注入東方文化的韻味。

　　The hotel lobby is magnificent and elegant, fully embodying the spirit of being close to nature. The overall color and material are calm and heavy, showing a sense of stability and harmony. Through the relationship of scales of different heights, the sense of layering of space is enriched. From grandness to restraint, from moving to static, guests are slowly away from the city and enter the quiet and natural “home”. Designers adapt to the situation and use the local cultural symbols of Wuxi to create a large “Taihu stone” art installation over the Lobby Lounge, inadvertently injecting oriental culture charm into the space.

　　被譽(yù)為“江南水弄堂，運(yùn)河絕版地”的南長(zhǎng)街有著無(wú)錫當(dāng)?shù)氐湫偷墓胚\(yùn)河畔江南人家原生態(tài)風(fēng)貌。街區(qū)內(nèi)民居建筑豐富多彩，粉墻黛瓦、花格木窗、前店后坊，形成了具有濃郁地方特色的院落式、竹筒式、獨(dú)立式的枕河人家。全日餐廳的設(shè)計(jì)靈感就源于熱鬧的市井街市特色。設(shè)計(jì)師將街市特色抽象的運(yùn)用到開放式備餐臺(tái)的設(shè)計(jì)中，采用簡(jiǎn)潔的符號(hào)化古建筑語(yǔ)言來(lái)描述演繹，同時(shí)在臺(tái)面上方又融入一些市井老百姓的生活場(chǎng)景圖案，生動(dòng)而有趣。

　　The Nanchang Street, known as the “Jiangnan Water Lane and the Outrageous Canal”, has the original ecological features of the Jiangnan Riverside people in the area of Wuxi. The residential buildings in the neighborhood are rich and colorful. The walls, tiles, wooden windows, and the front shop and the back square form a courtyard-style, bamboo-tube and free-standing home in the river with rich local characteristics. The inspiration for the design of the All-Day Dining restaurant stems from the lively city of downtown. The designers use the abstract features of the downtown to the design of the open buffet table. The simple and symbolic ancient building language is used to describe the deduction. At the same time, the scenes of the life patterns of some people in the city are integrated into the tabletop, which is vivid and interesting.

　　無(wú)錫當(dāng)?shù)氐淖匀患y理與日式傳統(tǒng)圖案相結(jié)合，呈現(xiàn)出一個(gè)富有異域風(fēng)情的特色餐廳。肌理豐富的竹、藤、木等自然材料交錯(cuò)層疊，營(yíng)造出豐富的視覺效果。簡(jiǎn)約精致的日式ASANOHA圖案的大范圍運(yùn)用，創(chuàng)造出既完整一致又層次豐富，既對(duì)比鮮明又融洽和諧的新空間。

　　The natural texture of Wuxi combines with traditional Japanese patterns to present an exotic restaurant. The rich texture of bamboo, rattan, wood and other natural materials are stacked alternately to create a rich visual effect. The large-scale application of the simple and refined Japanese-style ASANOHA logo creates a new space that is both complete and consistent, rich in content, as well as contrasting and harmonious.

　　茶空間以清幽自然為主要表現(xiàn)手法，清水磚輔以綠色亞克力點(diǎn)綴的墻面、金屬銅中式紋案的屏風(fēng)、雅致的拋光石材地面，使整個(gè)茶室傳統(tǒng)中透著簡(jiǎn)潔時(shí)尚、沉靜中透著高雅，與山水精神中人與自然和諧的境界不謀而合。

　　The tea room is mainly composed of quietness and nature. Qingshui bricks are complemented by green acrylic-embellished walls, metal copper Chinese-styled screens, and elegant polished stone floors, giving the entire tearoom tradition a concise fashion and elegance. It coincides with the harmonious realm between man and nature in the spirit of landscape.

　　“庭院深深深幾許”，無(wú)錫寄暢園步移景異之意境在中餐廳得到完美呈現(xiàn)。走入門庭，一列列屏風(fēng)林立營(yíng)造出曲折幽深的環(huán)境，讓賓客自然放慢腳步，去感受、去品味。民間編織手法的玻璃屏風(fēng)、相同雕刻圖案的天花及水晶燈交錯(cuò)，創(chuàng)建出美妙的虛實(shí)園林意境。園林化的就餐環(huán)境，讓人忍不住停下來(lái)，靜靜的享受這份優(yōu)雅獨(dú)特、繽紛多彩的江南愜意。

　　"How deep is the deepest yard?" The artistic conception of an ancient Chinese poem which describes the scenery of Jichang Garden in Wuxi is perfectly presented in the Chinese restaurant. Stepping into the entry court, a series of screens create a tortuous environment, allowing guests to naturally slow down, feel, and taste. The glass screens of folk weaving methods, the ceilings and crystal lights of the same carving patterns are intertwined, creating a wonderful artistic landscape of virtual reality. With the gardening dining environment, people can't help but stop and quietly enjoy the elegance, uniqueness, and colorfulness of Jiangnan.

　　健身房及泳池皆以大面積落地窗合圍，極盡開闊之能事。運(yùn)動(dòng)間隙臨窗遠(yuǎn)眺，能使胸中萬(wàn)斛愁塵，一時(shí)化為烏有。

　　Both the gym and the swimming pool are surrounded by large floor-to-ceiling windows to maximize the possibilities. The gap between the movements is far from the window.

　　北臨長(zhǎng)江，南瀕太湖。水是無(wú)錫靈魂，亦賦予城市靈性。設(shè)計(jì)師將水波粼粼之景象幻化于客房過道地毯之上，并以裊裊水墨山石之景象為呼應(yīng)，使賓客在踏足客房之前，即已沉醉于無(wú)錫的柔美之境。客房設(shè)計(jì)精煉簡(jiǎn)潔，中式傳統(tǒng)家具在設(shè)計(jì)師手中被重新演繹出現(xiàn)代簡(jiǎn)約意蘊(yùn)，悠遠(yuǎn)的歷史情懷與時(shí)尚凝練的手法溫柔碰撞，給賓客帶來(lái)放松感之余亦襯托出酒店獨(dú)特的中式意境。

　　The hotel faces the Yangtze River in the north and Taihu Lake in the south. Water is the soul of Wuxi, and it also gives spirituality to the city. The designer embodies the scene of water waves on the aisle carpets of the rooms and echoes the scene of ink stones painting, so that before the guests step into their rooms, they are already immersed in the softness of Wuxi. The room design is refined and concise. Chinese traditional furniture is re-interpreted in the hands of designers. It is a modern and simple implication. The far-reaching historical feelings collide with the gentle and concise techniques. It brings a sense of relaxation to the guests and sets off the hotel's unique Chinese artistic conception.

　　白駒過隙，光陰荏苒，時(shí)光匆匆雖催人奮進(jìn)，但繁忙都市中，不妨偶爾停下來(lái)，給靈魂積蓄力量。如同冬季萬(wàn)物蟄伏乃有驚蟄，知停而行，知停乃行，于浮躁中尋得此寧?kù)o之地，停下來(lái)，為了更好的前行。

　　Time flies, rushing though urging people to forge ahead. But in a busy city, you may occasionally stop and save energy for your soul. As if winter is treacherous, there is a consternation. If you get a chance to find this quiet place in the impetuous battle of life, try to stop at here, to enjoy and then to move forward in a more elegant way.

　　項(xiàng)目名稱：無(wú)錫太湖華邑酒店

　　項(xiàng)目地點(diǎn)：江蘇無(wú)錫

　　項(xiàng)目面積：29980㎡

　　設(shè)計(jì)公司：畢路德建筑顧問有限公司

　　設(shè)計(jì)師：劉紅蕾、楊宇新、梁小梅

　　Project Name: WUXI HUALUXE HOTEL

　　Project Location: Wuxi, Jiangsu

　　Project Area: 29980㎡

　　Designed by: BLVD International

　　Designers: Honglei Liu, Yuxin Yang, Xiaomei Liang

　　劉紅蕾

　　畢路德建筑顧問有限公司(BLVD International) 創(chuàng)意總監(jiān)

　　國(guó)際室內(nèi)設(shè)計(jì)協(xié)會(huì)(IIDA)會(huì)員、加拿大安省室內(nèi)設(shè)計(jì)師協(xié)會(huì)(ARIDO)注冊(cè)室內(nèi)設(shè)計(jì)師、北美(美國(guó)，加拿大)室內(nèi)設(shè)計(jì)資質(zhì)(NCIDQ)。

　　畢業(yè)于清華大學(xué)建筑學(xué)專業(yè)，在過去二十多年間，劉紅蕾在五星級(jí)酒店、高端寫字樓、高端會(huì)所等方面以獨(dú)一無(wú)二的創(chuàng)意引領(lǐng)當(dāng)今設(shè)計(jì)潮流，作品曾榮獲包括美國(guó)Hospitality Design Award、德國(guó)Iconic Award、美國(guó)American Architecture Prize、日本JCD Design Awards、英國(guó)SBID室內(nèi)設(shè)計(jì)大獎(jiǎng)、意大利A’Design Award鉑金獎(jiǎng)、香港A&D Trophy Award、APIDA亞太室內(nèi)設(shè)計(jì)大獎(jiǎng)等在內(nèi)的眾多國(guó)內(nèi)外專業(yè)獎(jiǎng)項(xiàng)。

　　她開創(chuàng)性地提出“思與境偕”的設(shè)計(jì)理念，講求以文化為中心思想，創(chuàng)造詩(shī)意化的體驗(yàn)空間。其帶領(lǐng)的畢路德設(shè)計(jì)團(tuán)隊(duì)成為包括凱悅、萬(wàn)豪、希爾頓、洲際等品牌在內(nèi)的一系列世界頂級(jí)國(guó)際酒店管理集團(tuán)的寵兒，亦多次與香港恒基、九龍倉(cāng)、萬(wàn)科、萬(wàn)達(dá)、華潤(rùn)、招商等多家知名上市地產(chǎn)集團(tuán)展開深度合作。