項(xiàng)目名稱：裕華·E戶型樣板房

　　軟裝設(shè)計(jì)：范創(chuàng)意(www.fanlifestudio.com)

　　設(shè)計(jì)總監(jiān)：陳利強(qiáng)

　　主創(chuàng)團(tuán)隊(duì)：林翠琪、章麗

　　工程負(fù)責(zé)：夏陽(yáng)、高任遠(yuǎn)

　　項(xiàng)目地址：河南.鄭州

　　項(xiàng)目面積：460m2

　　完成時(shí)間：2017年1月

　　項(xiàng)目攝影：彥銘

　　當(dāng)傳統(tǒng)氣韻融入現(xiàn)實(shí)的表現(xiàn)形式，當(dāng)古典魂魄縈繞在簡(jiǎn)約現(xiàn)實(shí)的空間內(nèi)，會(huì)有怎樣的碰撞呢?本方案完美的呈現(xiàn)了中國(guó)式無(wú)為的通透天地之大美與西式現(xiàn)實(shí)主義相融合的美感，梅花清冷般古典魂魄配以簡(jiǎn)潔柔美的呈現(xiàn)形式，宛若妙齡女子身著絲質(zhì)綢緞，青春曼妙身姿中徐徐展露古典嬌羞之韻。

　　初入室內(nèi)，便能感受到開(kāi)闊視野，明亮透徹的落地窗上高懸象牙白的窗簾，即可伏案看窗外的物換星移，也讓整個(gè)空間凸顯連貫的完整性。明麗的陽(yáng)光從落地窗中滲入，所有的顏色展現(xiàn)出本色的自我。站在窗臺(tái)遠(yuǎn)眺，仿佛“大音希聲、大象無(wú)形”(出自《莊子》)，視線收回到室內(nèi)，柔軟雅致的沙發(fā)又增添了一份人間煙火。到了夜晚，抬頭能看見(jiàn)月亮，低頭也能撿起足邊的六便士。(注：出自《月亮與六便士》)

　　這樣的呈現(xiàn)方式恰到好處地表現(xiàn)了當(dāng)下人們仰望星空又腳踏實(shí)地的生活態(tài)度。屋內(nèi)陳設(shè)無(wú)一不表現(xiàn)出幽靜的藝術(shù)氣息，意境悠遠(yuǎn)的壁畫、清冷氣質(zhì)的白梅插花、造型獨(dú)特的白瓷杯……這些獨(dú)具古典審美細(xì)節(jié)設(shè)計(jì)，讓柔適的房間中洋溢著一種飄然的文化氛圍。

　　設(shè)計(jì)師從建筑本身與室內(nèi)空間的基調(diào)上呈現(xiàn)多元兼容并蓄，整個(gè)空間冷暖兩種色調(diào)的對(duì)比正是形而上學(xué)與現(xiàn)實(shí)主義的體現(xiàn)。走進(jìn)臥室，蓬松白潔的大床，金黃色線條點(diǎn)綴讓整個(gè)空間極富唯美之感，仿若古希臘神話里游樂(lè)的場(chǎng)所。床頭飄落的銀杏葉又讓人仿佛置身古廟之中，參天的千年銀杏葉紛紛灑灑。不僅混搭出視覺(jué)上的舒適體驗(yàn)，更是能在處處細(xì)節(jié)中感受到設(shè)計(jì)師的精心與誠(chéng)意。

　　一抹古典風(fēng)情的溫柔，一絲現(xiàn)代時(shí)尚的靈動(dòng)，點(diǎn)點(diǎn)純凈與處處優(yōu)雅，仿佛沐浴在夏日涼爽海邊的氣息中，盡享愜意。唐代詩(shī)?王昌齡在《詩(shī)格》中提出，詩(shī)有三種境界：寫山水之形為物境，寄景生情為情境，托物言志為意境。將這三種境界加之于對(duì)空間的塑造中，并將東方美學(xué)與現(xiàn)代藝術(shù)交融之美，正好詮釋了設(shè)計(jì)師對(duì)該方案的期望。

　　Inclusiveness of Spirit and Reality

　　Project name: Yuhua ? Showflat E

　　Interior decoration design: FAN Life (www.fanlifestudio.com)

　　Design director: John CHEN

　　Design team: Chelsea LIN, ZHANG Li

　　Project principals: XIA Yang, GAO Renyuan

　　Project location: Zhengzhou, Henan, China

　　Project area: 460㎡

　　Completion time: January 2017

　　Photography: YAN Ming

　　What kind of collision will occur, when traditional spirit is expressed in an actual form, and when classical soul is hovering in a simple realistic space? This project is a perfect expression on the integrated aesthetics of the Chinese styled inactionand the Western style realism. The classical soul which is as cool and refreshing as plum blossom, when presented in a concise and mellow way, it is like a young woman dressed in silks and satins, whose young and curvy body shows the classical charm of maidenliness.

　　Once stepped into the room, there's an open view where ivory white curtains are hanging on the bright transparent French windows, so that the outside change of seasons can be viewed, and it highlights a coherent integrity of the entire room as well. When bright sunshine penetrates through the French windows, all the colors show the true selves. Standing on the windowsill and overlooking, the sentence "the great sound seems soundless, and the great image seems formless" (quoted from Chuang Tzu)comes to mind, while looking back to the interior, soft and elegant sofa has added a sense of human habitation. "At night, the moon can be seen when looked up, while the six pence can be picked up when looked down. "(from the "The Moon and Sixpence")

　　This presentation is just right to show the image of people looking at the stars and their down-to-earth attitude towards life. The furnishings are all showing a quiet artistic atmosphere, such as the frescoes withdistant mood, white plum flower arrangement with cold temperament, and white porcelain cup in unique shape... These uniquely classical aesthetic details give the soft room a peaceful and sublime cultural atmosphere.

　　Designers show diversity and inclusiveness based on the building itself and the interior space tone, making the contrast between cool and warm tones in the whole space as an embodiment of metaphysics and realism. In the bedroom, the fluffy white bed and the interspersed golden lines create a sense of aestheticism in the whole space; it is like a playground in the ancient Greek mythology. Falling ginkgo leaves beside the bed make people feel like being in an ancient temple where leaves of thousand-year-old ginkgo are falling down. Except for the comfortable visual experience achieved by mix and match, every details reflects the designers' carefulness and sincerity.

　　With a touch of mild classical style and a hint of flexible modern fashion, the space is pure and elegant everywhere, as if bathing in the cool seaside atmosphere in summer. Wang Changling, a poet in the Tang Dynasty, put forward the three realms of poem in his "Poetry Style" as: writing actual landscape is content conception; evoking emotions from landscape is passion conception; expressing emotions by describing concrete objects is artistic conception. Applying these three realms to the shaping of space, and blending the beauty of oriental aesthetics and modern art, it well interprets the designer's expectations on the project.