唐潮碼頭

　　設計公司：唯尼設計(www.weinidesign.com)

　　主設計師：蔡威

　　項目面積：450平方米

　　項目地址：深圳中洲πmall購物中心

　　完工時間：2016年11月

　　攝影師：歐陽云

　　潮汕人以精明、堅韌和專注的特質被譽稱為“東方猶太人”，潮州菜也以精細、考究和中和的特色走俏神州及海外。唐潮碼頭的設計主題圍繞潮汕文化，以中式現代混搭的手法為這一粵東族群的悠遠傳統注入當代新韻。

　　餐廳門頭含而不露，寓意著金木水火土的五行山墻，僅一瞥即泛起潮汕人對家的記憶。代表著當地著名景點湘子橋的牛雕塑，用板凳搭建的陳列架以及擺放其上的土著小手工，更給人以近鄉情怯的穿越之感。

　　空間布局依循潮汕民居的“下山虎”和“四點金”概念，分為前廳、天井、后廳，并結合現有場景進行新舊融合。比如入口的大柱子，由一根根現切的木條現場拼接而成，營造出“大樹底下好乘涼”的山野拾趣。

　　結合平面圖不難看到，空間外圍是以柱子為軸做的一個“回”，往里也是一個“回”，即“四點金”形式的延伸，類似潮式“三合院”。各個空間的劃分，則強調若隱若現的穿插感而不再有傳統建筑形式的密閉和束縛。

　　五行山墻建筑概念延伸至室內的立面墻體，呈現出莊重和大氣的空間儀態，同時承擔起串聯整個空間的紐帶作用。山墻以木板為材，根據造型需求，由現場木工和工廠定制共同完成，在比例與細節上精準把控力求極致。

　　由上至下，挑檐、山墻和隔斷的處理，均未照搬原本復雜繁瑣的形式講究，而是通過布局和陣列的形式，用簡化的手法取其精髓，新舊融合因應當下語境。就連

　　與當地古墻共生的苔蘚和爬山虎，也縮略延伸至此處的永生草，裱在通透的玻璃瓶中陣列分布，吐露簡單純粹的綠意。

　　隔斷玻璃有著舊舊的紋路，與時尚動感的鏡面穿插運用，提升空間的擴充感而不覺擁擠;水泥做了細微處理，被覆上老木紋的倒模;地面磚靈感來自潮汕民居的古老紅磚并加入更多色彩;枝形藝術吊燈與復古鋼管鎢絲燈合力營造斑駁光影;現代中式椅結合設計概念進行二次優化;包間玄關頂巨幅字體寫意潑墨……

　　唯尼設計留存歲月痕跡的渾然再造功力，悄然隱于這些空間細節之中，靜待有心人的默契會意。而潮州人的族裔凝聚力與追本溯源的傳統堅守，或為全球化中的文化存續與新生帶來更可期待的未來。

　　Tangchao Wharf

　　Design company: Weini Design(www.weinidesign.com)

　　Chief designer: Ray Cai

　　Project area: 450 ㎡

　　Project location: πmallShopping Center, Zhongzhou, Shenzhen, China

　　Completion time: 2016,11

　　Photographer: Ouyang Yun

　　Teochew people are called Oriental Jews for their traits of shrewd, tenacity, and concentration, while the Teochew cuisine is popular at home and abroad for its exquisiteness, daintiness, and neutralization. Taking Teochew culture as design theme, Tangchao Wharf restaurant injects modern elements into the centuries-old tradition of this ethnic group in East Guangdong by blending modern elements into Chinese style design.

　　The shop front of the restaurant is connotative. The gable carries the meaning of five elements (metal, wood, water, fire and earth) reminds Teochew people of their hometown at a glance. The bull sculpture representing the famous local scenic spot Xiang-zi Bridge, the stands constructed by wooden benches, and the little crafts on the stands, make people feel like they have been back to their hometown which makes them feel anxious yet delighted.

　　Following the Teochew civil residence’s concept of Xiashanhu and Sidianjin, the space is divided into antechamber, courtyard, and back hall, it also mixes old and new combining the existing scene. For example, the large pillar at the entrance is spliced by pieces of fresh-cut battens, creating a wild rural scene of “abig tree is a good shelter”.

　　Combined with the construction plan, it’s obvious that the dimensional periphery is a rectangular-ambulatory-plane shafts on pillars, and the inside is also a rectangular-ambulatory-plane; this is the extension of the Sidianjin form, similar with the three section compound of Teochew style. The division of each space emphasizes the alternative feeling of partly hidden and partly visible and avoids obturation and constraint of the traditional architectural form.

　　By extending the concept of five rows gable of the five elements to the indoor facade wall, the space presents a sense of solemn and gorgeousness, and serving as a link connecting the whole space at the same time. The gable, made from plank, accomplished together by onsite carpenter and the factory according to the modeling requirement, is accurate and almost perfect on proportion and details.

　　From the top down, the original complicated form is not retained in the design of cornice, gable, and partition, instead, simplified design method is adopted presenting by careful layout and array, thus, old mixes with new. Even image of moss and Boston ivy that coexist with the ancient walls of Teochew residence is shown here with the using of immortal grass, which is sealed in the glass bottles and distributed in array, in this way, a sense of simple and pure green is conveyed.

　　The alternative use of the partition glass with antique veins and fashion, dynamic mirrors widen the space. The cement is slightly disposed by being covered with reverse mould of old wood grain. The floor tiles, of which the inspiration comes from the old red bricks of the Teochew civil residence, add colors to the space. The chandeliers and vintage steel pipe tungsten lamp create mottled shadows. The modern Chinese style chairs are re-optimized combining with design concept. The huge Chinese calligraphy at the roof of hallway creates a literary atmosphere ...

　　Weini Design's amazing skills in recording trace of time is hidden in the space details. The ethnic cohesion and insistence of protecting the tradition of Teochew people may bring a more expectant future for the issue of culture existence and new born in globalization.