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　　近日，著名的國(guó)際設(shè)計(jì)大獎(jiǎng) IIDA Interior Design Competition(IIDA 國(guó)際室內(nèi)設(shè)計(jì)大獎(jiǎng)賽)公布了本屆的獲獎(jiǎng)作品，MOD穆德設(shè)計(jì)憑借作品【恒邦雙林·峨眉高橋小鎮(zhèn)售樓處】榮獲IIDA全球唯一銷售中心大獎(jiǎng)!

　　據(jù)悉，IIDA室內(nèi)設(shè)計(jì)大賽獎(jiǎng)項(xiàng)歷來(lái)以公開(kāi)、公正、嚴(yán)苛著稱，每屆大獎(jiǎng)賽均從全球數(shù)以千套的設(shè)計(jì)作品中臻選，最終入圍12套作品，并在12套作品中評(píng)選6套最終優(yōu)勝作品。MOD穆德設(shè)計(jì)成為本屆唯一獲獎(jiǎng)的中國(guó)設(shè)計(jì)企業(yè)!

　　IIDA國(guó)際室內(nèi)設(shè)計(jì)協(xié)會(huì)(International Interior Design Association)成立于1994年，15000余名會(huì)員橫跨58個(gè)國(guó)家，為設(shè)計(jì)相關(guān)專業(yè)工作者、行業(yè)機(jī)構(gòu)、教育工作者、學(xué)生、企業(yè)及客戶提供支持，是室內(nèi)設(shè)計(jì)領(lǐng)域最大的專業(yè)協(xié)會(huì)。

　　IIDA室內(nèi)設(shè)計(jì)大賽獎(jiǎng)項(xiàng)(Interior Design Competition)是IIDA國(guó)際室內(nèi)設(shè)計(jì)協(xié)會(huì)旗下的賽事之一，旨在表彰杰出的室內(nèi)設(shè)計(jì)，鼓勵(lì)和發(fā)掘室內(nèi)設(shè)計(jì)及陳設(shè)方面的新理念、新技術(shù)項(xiàng)目。

　　評(píng)委簡(jiǎn)評(píng)：

　　“這個(gè)項(xiàng)目非常漂亮，非常注重細(xì)節(jié)，如此的美麗，并且很成功地融入藝術(shù)元素。材料的運(yùn)用在光線、材質(zhì)和比例之間成功創(chuàng)造了優(yōu)雅的平衡。視覺(jué)層次的精致融合創(chuàng)造了令人驚嘆的內(nèi)部空間。對(duì)于這個(gè)項(xiàng)目的美，我有說(shuō)不完的話，這個(gè)空間講述了一個(gè)故事。”

　　"This project is quite simply gorgeous, there's magnificent attention to detail, such beauty, and the art is integrated extremely successfully. The materials, they just create a successful and elegant balance of light, texture, and scale. The exquisite integration of visual layers creates a stunning interior. I can't say enough about the beauty of this project, this space really tells a story."

　　恒邦雙林·峨眉高橋小鎮(zhèn)售樓處

　　Everbon Gaoqiao Town Sales Center

　　by

　　MOD穆德設(shè)計(jì)

　　峨眉高橋小鎮(zhèn)，占地面積近2000畝，群山環(huán)繞，層巒疊嶂，依山傍水，以高橋鎮(zhèn)內(nèi)的溪、塔、山、田、林、文為基底，呈現(xiàn)一個(gè)原生態(tài)、野趣、古樸的田園牧歌特色小鎮(zhèn)。作為恒邦雙林文旅的重磅TOP級(jí)標(biāo)桿之作，升級(jí)對(duì)自然、人文、城鎮(zhèn)的資源探索與理解，建造美好生活的詩(shī)與遠(yuǎn)方。MOD穆德設(shè)計(jì)擔(dān)綱其售樓處的軟裝設(shè)計(jì)。

　　Emei Gao Qiao Town covers an area of approximately 2000 acre, surrounded by layers of mountains and peaks, and by the river. With the streams, towers, mountains, fields, woods, and its culture as the base, it is presented a rural town with original ecology, rustic charm. As the benchmarking project of Everbon cultural tourism, it upgrades the understanding and exploration of nature, humanity, cities and towns, and provides a better life with poems and dreams. The interior design of its sales center is undertaken by the MOD Service Design.

　　峨眉仙山佛國(guó)，佳境天成，綿延的山巒、靜謐的湖泊、茂密的森林……自然的原貌給予設(shè)計(jì)師無(wú)限的靈感參照。一貫堅(jiān)持“不拘一格的當(dāng)代風(fēng)尚”的MOD穆德設(shè)計(jì)，試圖于繁復(fù)到極簡(jiǎn)的過(guò)程中，尋找更高的審美需求和生活藝境。設(shè)計(jì)師運(yùn)用自然主義與立體主義的當(dāng)代藝術(shù)手法，以自然的材料和有機(jī)形態(tài)，透徹空間內(nèi)外呈現(xiàn)自然的簡(jiǎn)素之美，滿足現(xiàn)代人“返璞歸真”的渴望以及對(duì)“極簡(jiǎn)生活”的向往。

　　Emei Mountain is well-known for the Buddhism and its beautiful scenery with layers of mountains and peaks, tranquil lakes, and dense woods. Sticking to the extraordinary contemporary style, MOD Service Design tries to explore the better aesthetic needs and artistic taste in the process of turning complexity into minimalism. The designer uses the contemporary art techniques of naturalism and cubism, with natural materials and organic forms, to present the beauty of natural simplicity in the entire space, satisfying the desire of modern people to ‘return to nature’ and the yearning for ‘minimalist life’.

　　入口大堂裝置以現(xiàn)代藝術(shù)的表現(xiàn)手法，模擬小橋流水的意境，古銅色人形與木制船身融為一體，全景落地窗打造了一片通透溫暖的空間，表征人與自然的平衡。

　　The installation at the entrance is presented in modern artistic technique，creating a picture of water flowing beneath a little bridge. The bronzed figure integrates with the boat, and the French window creates a warm space, representing the balance of people and nature.

　　前廳延續(xù)自然原木的主色調(diào)，設(shè)計(jì)之筆勾勒出圓形線條燈飾的陣列秩序。光透過(guò)素色橫條帷幔，光與影交錯(cuò)間離，與時(shí)間和空間的互動(dòng)，形成獨(dú)特的節(jié)奏。拙樸的木制家具、粗糲的陶器、干燥葉子構(gòu)成的植物云，簡(jiǎn)素的物體和天然材料點(diǎn)綴著室內(nèi)空間，拉近了人與自然的距離，開(kāi)啟了人與自然的對(duì)話。

　　The lobby keeps the main color tone of natural log and round-lined lamps give a sense of order. The light shines through the plain cross-striped curtain. The light and shadow interact with time and space, forming a unique rhythm. Simple wooden furniture, rough potteries, plant cloud composed of dry leaves, simple objects and natural materials are used to decorated the interior space, shortening the distance between people and nature, and providing an opportunity for people to dialogue with the nature.

　　沙盤區(qū)藝術(shù)裝置的靈感，提取自茶田的自然形態(tài)和色彩，暗合自然演變的寓意，從自然中來(lái)到自然中去。峨眉鱊裝置，指向魚(yú)在中國(guó)文化中“書(shū)信與幸福、年年有余”等美好象征，采用竹編的傳統(tǒng)工藝，使整個(gè)空間如魚(yú)得水般靈動(dòng)起來(lái)。

　　The art installation in the building model area is inspired by the natural features and colors of tea fields, implying the nature evolution, from nature to nature. In Chinese culture, fish symbolizes letters, happiness, wealth and harvest. The Yu installation is made by the traditional bamboo weaving, energizing the whole space like a lively fish in the water.

　　設(shè)計(jì)師致敬本杰明·格蘭多格的《倒下的樹(shù)凳》的藝術(shù)作品，把一棵精心雕琢的橡樹(shù)制成一個(gè)極簡(jiǎn)主義的長(zhǎng)椅，將樹(shù)干的原始枝干保留下來(lái)，放在長(zhǎng)凳的一端作為支撐，以提醒人們木頭的生命起源。

　　The designer pays homage to Fallen Tree, the artwork from Benjamin Graindorge, which is about the elaborate carving of oak into a minimalist bench. The original branches are kept and used to support the bench on one end, to remind people of the origin of wood.

　　步入洽談區(qū)，素白的沙發(fā)與斑駁的木料，褶皺的隱喻與粗獷的質(zhì)地，設(shè)計(jì)師在設(shè)色、配材上演繹反差美，在空間中呈現(xiàn)不同層次的美學(xué)交匯。

　　Stepping into negotiation area, you can see the white sofa, mottled woods, pleats, and rough texture. The designer makes use of various materials to present the beauty of contrast and show different layers of patterns and texture.

　　平滑弧度的家具與器物，自然手工的藤編裝置，色彩豐富的流蘇抱枕，散發(fā)出自然拙樸的田園氣息，展現(xiàn)出空間的生活美學(xué)以及器物情境之美。

　　The smoothly curved furniture and utensils, handmade rattan installations, colorful tassel cushions, all present a natural and simple pastoral atmosphere, showing the aesthetics of life in the space and the beauty of the utensils.

　　林壑?jǐn)款ㄉ葡际障Ｉ疃惹⒄剠^(qū)的云海裝置，頂部紗幔自木架懸掛下來(lái)，飄渺而古樸，結(jié)合室內(nèi)光影映照，明暗深淺，透出如置身鄉(xiāng)間的野趣，帶來(lái)一股霧散云開(kāi)、遠(yuǎn)岫茂林的清新氣息。

　　The surrounding woods and valley gather the evening scenery, and the sunset in the sky gradually disappears. The art installation in the shape of sea of clouds and the gauze curtain hung from the wooden roof, combined with the indoor light and shadow, reveals the wild interest of being in the countryside, bringing a fresh and natural feeling as if the clouds apart in the distant forest.

　　個(gè)性十足的圖騰燈飾、蓑衣演化成的創(chuàng)意裝置、原始紋木的家具、自然拙樸的陶器、樸素的植物花藝，看似隨心所欲的簡(jiǎn)單布置，卻是刻意設(shè)計(jì)的百般用心。不見(jiàn)山野，卻有絲絲“野”趣若隱若現(xiàn)。

　　Personalized totem lamps, creative installations evolved from coir raincoat, primitive wood furniture, natural and unadorned potteries, plant and floral art. The simple arrangement that seems to be arbitrary, but it is deliberately designed in every way. It creates a sense of ‘wild’ without seeing the wildness.

　　與自然為鄰，結(jié)廬云水間，自古以來(lái)人們對(duì)田園生活充滿向往。MOD穆德設(shè)計(jì)深諳此中深意，運(yùn)用純粹而克制的極簡(jiǎn)主義手法，從自然的詩(shī)意攫取靈感，攫取器與物組合、人與物互動(dòng)、物與空間的和融，于空間細(xì)節(jié)中彌漫著對(duì)自然的親近與崇拜，予人回歸自然、享受古樸的原生之美。

　　Since ancient times, people has been longing for the pastoral life, building a house adjacent to the nature. Understanding the significance of it, MOD Design makes use of pure and restrained minimalist techniques, and takes inspiration from the poem. The combination of utensils and objects, the interaction between people and objects, the harmony between objects and space, present the closeness and worship of nature through the details in the space. Return to the nature, and enjoy the most primitive and simple original beauty.

　　項(xiàng)目名稱 | 樂(lè)山恒邦·高橋小鎮(zhèn)售樓處

　　項(xiàng)目地點(diǎn) | 四川 峨眉山市高橋小鎮(zhèn)

　　項(xiàng)目面積 | 2200㎡

　　竣工時(shí)間 | 2020年11月

　　業(yè)主單位 | 恒邦雙林集團(tuán)

　　甲方團(tuán)隊(duì) | 王飛、牛興濤、周沫

　　軟裝設(shè)計(jì) | MOD穆德設(shè)計(jì)

　　主要材質(zhì) | 竹編、生態(tài)原木、洞石、石化石、皮革、棉麻手工織物

　　項(xiàng)目攝影 | 彥銘攝影工作室

　　MOD穆德設(shè)計(jì)(MOD Service Design)，知名全周期設(shè)計(jì)服務(wù)企業(yè)，2004成立于新加坡，2010年在上海成立聯(lián)合辦公，為中國(guó)內(nèi)地、中國(guó)港澳臺(tái)、東南亞及東北亞客戶提供設(shè)計(jì)專業(yè)服務(wù)。MOD穆德設(shè)計(jì)提供與建筑、室內(nèi)、陳設(shè)、整體規(guī)劃及周邊產(chǎn)品的設(shè)計(jì)服務(wù)，在商業(yè)及地產(chǎn)領(lǐng)域均有杰出貢獻(xiàn)。

　　李天駿 Jay Lee

　　MOD穆德設(shè)計(jì)創(chuàng)始人 / 創(chuàng)意總監(jiān)

　　11年發(fā)展，MOD穆德設(shè)計(jì)堅(jiān)持「不拘一格的當(dāng)代風(fēng)尚」，運(yùn)用純粹而克制的極簡(jiǎn)主義手法，從自由的創(chuàng)意、理性的法則與升華的藝術(shù)三方面鋪敘設(shè)計(jì)，演繹設(shè)計(jì)與藝術(shù)美學(xué)的碰撞融合，實(shí)現(xiàn)場(chǎng)所空間的營(yíng)造和意境的表達(dá)。作品曾榮獲2019中國(guó)建筑裝飾行業(yè)最具商業(yè)價(jià)值設(shè)計(jì)機(jī)構(gòu)及最具原創(chuàng)設(shè)計(jì)機(jī)構(gòu)、IIDA Interior Design Competition全球銷售空間大獎(jiǎng)，LookBox Design Awards、CREDAWARD地產(chǎn)設(shè)計(jì)大獎(jiǎng)、A design award金獎(jiǎng)、APDC AWARDS 亞太設(shè)計(jì)精英邀請(qǐng)賽金獎(jiǎng)等殊榮。

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