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　　近日，著名的國際設計大獎 IIDA Interior Design Competition(IIDA 國際室內設計大獎賽)公布了本屆的獲獎作品，MOD穆德設計憑借作品【恒邦雙林·峨眉高橋小鎮售樓處】榮獲IIDA全球唯一銷售中心大獎!

　　據悉，IIDA室內設計大賽獎項歷來以公開、公正、嚴苛著稱，每屆大獎賽均從全球數以千套的設計作品中臻選，最終入圍12套作品，并在12套作品中評選6套最終優勝作品。MOD穆德設計成為本屆唯一獲獎的中國設計企業!

　　IIDA國際室內設計協會(International Interior Design Association)成立于1994年，15000余名會員橫跨58個國家，為設計相關專業工作者、行業機構、教育工作者、學生、企業及客戶提供支持，是室內設計領域最大的專業協會。

　　IIDA室內設計大賽獎項(Interior Design Competition)是IIDA國際室內設計協會旗下的賽事之一，旨在表彰杰出的室內設計，鼓勵和發掘室內設計及陳設方面的新理念、新技術項目。

　　評委簡評：

　　“這個項目非常漂亮，非常注重細節，如此的美麗，并且很成功地融入藝術元素。材料的運用在光線、材質和比例之間成功創造了優雅的平衡。視覺層次的精致融合創造了令人驚嘆的內部空間。對于這個項目的美，我有說不完的話，這個空間講述了一個故事。”

　　"This project is quite simply gorgeous, there's magnificent attention to detail, such beauty, and the art is integrated extremely successfully. The materials, they just create a successful and elegant balance of light, texture, and scale. The exquisite integration of visual layers creates a stunning interior. I can't say enough about the beauty of this project, this space really tells a story."

　　恒邦雙林·峨眉高橋小鎮售樓處

　　Everbon Gaoqiao Town Sales Center

　　by

　　MOD穆德設計

　　峨眉高橋小鎮，占地面積近2000畝，群山環繞，層巒疊嶂，依山傍水，以高橋鎮內的溪、塔、山、田、林、文為基底，呈現一個原生態、野趣、古樸的田園牧歌特色小鎮。作為恒邦雙林文旅的重磅TOP級標桿之作，升級對自然、人文、城鎮的資源探索與理解，建造美好生活的詩與遠方。MOD穆德設計擔綱其售樓處的軟裝設計。

　　Emei Gao Qiao Town covers an area of approximately 2000 acre, surrounded by layers of mountains and peaks, and by the river. With the streams, towers, mountains, fields, woods, and its culture as the base, it is presented a rural town with original ecology, rustic charm. As the benchmarking project of Everbon cultural tourism, it upgrades the understanding and exploration of nature, humanity, cities and towns, and provides a better life with poems and dreams. The interior design of its sales center is undertaken by the MOD Service Design.

　　峨眉仙山佛國，佳境天成，綿延的山巒、靜謐的湖泊、茂密的森林……自然的原貌給予設計師無限的靈感參照。一貫堅持“不拘一格的當代風尚”的MOD穆德設計，試圖于繁復到極簡的過程中，尋找更高的審美需求和生活藝境。設計師運用自然主義與立體主義的當代藝術手法，以自然的材料和有機形態，透徹空間內外呈現自然的簡素之美，滿足現代人“返璞歸真”的渴望以及對“極簡生活”的向往。

　　Emei Mountain is well-known for the Buddhism and its beautiful scenery with layers of mountains and peaks, tranquil lakes, and dense woods. Sticking to the extraordinary contemporary style, MOD Service Design tries to explore the better aesthetic needs and artistic taste in the process of turning complexity into minimalism. The designer uses the contemporary art techniques of naturalism and cubism, with natural materials and organic forms, to present the beauty of natural simplicity in the entire space, satisfying the desire of modern people to ‘return to nature’ and the yearning for ‘minimalist life’.

　　入口大堂裝置以現代藝術的表現手法，模擬小橋流水的意境，古銅色人形與木制船身融為一體，全景落地窗打造了一片通透溫暖的空間，表征人與自然的平衡。

　　The installation at the entrance is presented in modern artistic technique，creating a picture of water flowing beneath a little bridge. The bronzed figure integrates with the boat, and the French window creates a warm space, representing the balance of people and nature.

　　前廳延續自然原木的主色調，設計之筆勾勒出圓形線條燈飾的陣列秩序。光透過素色橫條帷幔，光與影交錯間離，與時間和空間的互動，形成獨特的節奏。拙樸的木制家具、粗糲的陶器、干燥葉子構成的植物云，簡素的物體和天然材料點綴著室內空間，拉近了人與自然的距離，開啟了人與自然的對話。

　　The lobby keeps the main color tone of natural log and round-lined lamps give a sense of order. The light shines through the plain cross-striped curtain. The light and shadow interact with time and space, forming a unique rhythm. Simple wooden furniture, rough potteries, plant cloud composed of dry leaves, simple objects and natural materials are used to decorated the interior space, shortening the distance between people and nature, and providing an opportunity for people to dialogue with the nature.

　　沙盤區藝術裝置的靈感，提取自茶田的自然形態和色彩，暗合自然演變的寓意，從自然中來到自然中去。峨眉鱊裝置，指向魚在中國文化中“書信與幸福、年年有余”等美好象征，采用竹編的傳統工藝，使整個空間如魚得水般靈動起來。

　　The art installation in the building model area is inspired by the natural features and colors of tea fields, implying the nature evolution, from nature to nature. In Chinese culture, fish symbolizes letters, happiness, wealth and harvest. The Yu installation is made by the traditional bamboo weaving, energizing the whole space like a lively fish in the water.

　　設計師致敬本杰明·格蘭多格的《倒下的樹凳》的藝術作品，把一棵精心雕琢的橡樹制成一個極簡主義的長椅，將樹干的原始枝干保留下來，放在長凳的一端作為支撐，以提醒人們木頭的生命起源。

　　The designer pays homage to Fallen Tree, the artwork from Benjamin Graindorge, which is about the elaborate carving of oak into a minimalist bench. The original branches are kept and used to support the bench on one end, to remind people of the origin of wood.

　　步入洽談區，素白的沙發與斑駁的木料，褶皺的隱喻與粗獷的質地，設計師在設色、配材上演繹反差美，在空間中呈現不同層次的美學交匯。

　　Stepping into negotiation area, you can see the white sofa, mottled woods, pleats, and rough texture. The designer makes use of various materials to present the beauty of contrast and show different layers of patterns and texture.

　　平滑弧度的家具與器物，自然手工的藤編裝置，色彩豐富的流蘇抱枕，散發出自然拙樸的田園氣息，展現出空間的生活美學以及器物情境之美。

　　The smoothly curved furniture and utensils, handmade rattan installations, colorful tassel cushions, all present a natural and simple pastoral atmosphere, showing the aesthetics of life in the space and the beauty of the utensils.

　　林壑斂瞑色，云霞收夕霏。深度洽談區的云海裝置，頂部紗幔自木架懸掛下來，飄渺而古樸，結合室內光影映照，明暗深淺，透出如置身鄉間的野趣，帶來一股霧散云開、遠岫茂林的清新氣息。

　　The surrounding woods and valley gather the evening scenery, and the sunset in the sky gradually disappears. The art installation in the shape of sea of clouds and the gauze curtain hung from the wooden roof, combined with the indoor light and shadow, reveals the wild interest of being in the countryside, bringing a fresh and natural feeling as if the clouds apart in the distant forest.

　　個性十足的圖騰燈飾、蓑衣演化成的創意裝置、原始紋木的家具、自然拙樸的陶器、樸素的植物花藝，看似隨心所欲的簡單布置，卻是刻意設計的百般用心。不見山野，卻有絲絲“野”趣若隱若現。

　　Personalized totem lamps, creative installations evolved from coir raincoat, primitive wood furniture, natural and unadorned potteries, plant and floral art. The simple arrangement that seems to be arbitrary, but it is deliberately designed in every way. It creates a sense of ‘wild’ without seeing the wildness.

　　與自然為鄰，結廬云水間，自古以來人們對田園生活充滿向往。MOD穆德設計深諳此中深意，運用純粹而克制的極簡主義手法，從自然的詩意攫取靈感，攫取器與物組合、人與物互動、物與空間的和融，于空間細節中彌漫著對自然的親近與崇拜，予人回歸自然、享受古樸的原生之美。

　　Since ancient times, people has been longing for the pastoral life, building a house adjacent to the nature. Understanding the significance of it, MOD Design makes use of pure and restrained minimalist techniques, and takes inspiration from the poem. The combination of utensils and objects, the interaction between people and objects, the harmony between objects and space, present the closeness and worship of nature through the details in the space. Return to the nature, and enjoy the most primitive and simple original beauty.

　　項目名稱 | 樂山恒邦·高橋小鎮售樓處

　　項目地點 | 四川 峨眉山市高橋小鎮

　　項目面積 | 2200㎡

　　竣工時間 | 2020年11月

　　業主單位 | 恒邦雙林集團

　　甲方團隊 | 王飛、牛興濤、周沫

　　軟裝設計 | MOD穆德設計

　　主要材質 | 竹編、生態原木、洞石、石化石、皮革、棉麻手工織物

　　項目攝影 | 彥銘攝影工作室

　　MOD穆德設計(MOD Service Design)，知名全周期設計服務企業，2004成立于新加坡，2010年在上海成立聯合辦公，為中國內地、中國港澳臺、東南亞及東北亞客戶提供設計專業服務。MOD穆德設計提供與建筑、室內、陳設、整體規劃及周邊產品的設計服務，在商業及地產領域均有杰出貢獻。

　　李天駿 Jay Lee

　　MOD穆德設計創始人 / 創意總監

　　11年發展，MOD穆德設計堅持「不拘一格的當代風尚」，運用純粹而克制的極簡主義手法，從自由的創意、理性的法則與升華的藝術三方面鋪敘設計，演繹設計與藝術美學的碰撞融合，實現場所空間的營造和意境的表達。作品曾榮獲2019中國建筑裝飾行業最具商業價值設計機構及最具原創設計機構、IIDA Interior Design Competition全球銷售空間大獎，LookBox Design Awards、CREDAWARD地產設計大獎、A design award金獎、APDC AWARDS 亞太設計精英邀請賽金獎等殊榮。

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